The Woman in White : Joanna Hiffernan and James Mcneill Whistler
Margaret F. MacDonald
Affiner le résultat de recherche avec le type de document livres Afficher tous les documents ayant la date d'édition : , commele document The Woman in White : Joanna Hiffernan and James Mcneill Whistler 2020Rechercher tous les documents ayant comme Sujet: Whistler, James McNeill (1834-1903)Rechercher tous les documents ayant comme Sujet: Hiffernan, Joanna (1843 - 1904?)Rechercher tous les documents ayant comme Sujet: Artistes et modèlesRechercher tous les documents ayant comme Genre: XIXèmeRechercher tous les documents ayant comme Genre: Suisse
In 1860 James McNeill Whistler (1834-1903) and Joanna Hiffernan (1839-1886) met and began a significant professional and personal relationship. Hiffernan posed as a model for many of Whistler's works, including his controversial Symphony in White paintings, a trilogy that fascinated and challenged viewers with its complex associations with sex and …
Merci de patientier...
Exemplaires
Merci de patientier
Description
- Titre(s)
- The Woman in WhiteJoanna Hiffernan and James Mcneill Whistler
- Auteur(s)
- Margaret F. MacDonald (Auteur)National gallery of art (Auteur)
- Collation
- 1 vol. (230 p.) ; illustrations en couleurs ; 28 cm
- Année
- 2020
- Sujet(s)
- Whistler, James McNeill (1834-1903)Hiffernan, Joanna (1843 - 1904?)Artistes et modèles
- Indice
- Peinture américaineLa Peinture au 19e siècle
- Genre
- XIXèmeSuisse
- Identifiant
- 0-300-25450-4
- Langue(s)
- anglais
- Résumé
- In 1860 James McNeill Whistler (1834-1903) and Joanna Hiffernan (1839-1886) met and began a significant professional and personal relationship. Hiffernan posed as a model for many of Whistler's works, including his controversial Symphony in White paintings, a trilogy that fascinated and challenged viewers with its complex associations with sex and morality, class and fashion, academic and realist art, Victorian popular fiction, aestheticism and spiritualism. This luxuriously illustrated volume provides the first comprehensive account of Hiffernan's partnership with Whistler throughout the 1860s and 1870s-a period when Whistler was forging a reputation as one of the most innovative and influential artists of his generation. A series of essays discusses how Hiffernan and Whistler overturned artistic conventions and sheds light on their interactions with contemporaries, including Gustave Courbet, for whom she also modeled. Packed with new insights into the creation, marketing, and cultural context of Whistler's iconic works, this study also traces their resonance for his fellow artists, including Dante Gabriel Rossetti, Edgar Degas, John Singer Sargent, and Gustav Klimt.
- Editeur(s)
- Yale University Press
Merci de patientier...