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Misère : the visual representation of misery in the 19th century

Linda Nochlin

In 'Misère', famed art historian Linda Nochlin reveals how, in the new form of civilization produced by the Industrial Revolution, in which the phenomenal growth of wealth occurred alongside an expansion of squalor, writers and artists of the nineteenth century used their craft to come to terms with what were …

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Description

Titre(s)
Misère
the visual representation of misery in the 19th century
Introduction
Misère : The Irish Paradigm
The Gender of Misery
Géricault, Goya and the Representation of Misery
Representing Misery : Courbet's Beggar Woman
Fernand Pelez : Master of Miserable Old Men
Conclusion
Auteur(s)
Linda Nochlin (Auteur)
Collation
176 pages ; illustrations (some color) ; 24 cm
Sujet(s)
Pauvreté : Dans l'artSouffrance : Dans l'artArt : 19e siècleCourbet, Gustave (1819-1877) -- L'Aumône d'un mendiant à OrnansCourbet, Gustave (1819-1877) -- L'Atelier du PeintreCourbet, Gustave (1819-1877) : Les Casseurs de pierresCourbet, Gustave (1819-1877) -- Le ChemineauGustave Courbet (1819-1877) -- Les Demoiselles de VillageCourbet, Gustave (1819-1877) -- La Pauvresse du villageCourbet, Gustave (1819-1877) -- La Bohémienne et ses enfantsCourbet, Gustave (1819-1877) -- La Rencontre ou Bonjour, Monsieur Courbet
Indice
Autres sujets particuliers
Genre
Société XIXeService Conservation
Identifiant
0-500-23969-X
Langue(s)
anglais
Notes
Includes bibliographical references (pages 164-170) and index
Résumé
In 'Misère', famed art historian Linda Nochlin reveals how, in the new form of civilization produced by the Industrial Revolution, in which the phenomenal growth of wealth occurred alongside an expansion of squalor, writers and artists of the nineteenth century used their craft to come to terms with what were often new and unprecedented social, material, and psychological circumstances. Nochlin charts the phenomenon of misery as it was represented in the popular and fine arts of the nineteenth century. Examining work by some of the great intellects of the era--including Dickens, Carlyle, Engels, Hugo, Buret, Disraeli, and de Tocqueville--as well as relative unknowns who were searching for ways to depict new realities, Nochlin draws from a range of sources that include paintings, prints, newspaper illustrations, photography, and a variety of texts: from the account of a day in the life of an eight-year-old mine worker girl to the foundational texts of the field such as Friedrich Engels's The condition of the working class in England
Editeur(s)
Thames & Hudson
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Auteur principal : Linda Nochlin

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