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Description

Titre(s)
Courbet's landscapes
the origins of modern painting
Introduction
I. Bags of paint in glassy skins -Side by side - At an impasse - Between Enamel and Mortar - Salient points
II. When landscape became language - The Language of the people - Battles of Alesia - Layers of meaning - Courbet's sources
III. Milk of sea - In the wave's wake - From another point of view - Fellow travelers - Ink as Abyss - The Flowering of blood
IV. Cut with a palette knife - The Courbet effect - Mon oncle - Crime and Punishment - The revenge of the real
Coda : Anti-impressionism - Exile - Afterlife - Disunity - Tactility
Auteur(s)
Paul Galvez (Auteur)
Collation
1 volume (208 pages) ; illustrations ; 27 cm
Année
2022
Sujet(s)
Courbet : Gustave : 1819-1877 : Critique et interprétationPeinture de paysage : France : 19e sièclePeinture de paysages française : 19e siècleCourbet, Gustave (1819-1877) -- Paysage : FranceCourbet, Gustave (1819-1877) -- Le Chêne de FlageyCourbet, Gustave (1819-1877) : Paysage : mer
Indice
Réalisme et naturalisme : peinture
Genre
Gustave CourbetFranche-Comté - Généralités
Identifiant
0-300-24413-4
Langue(s)
anglais
Résumé
A groundbreaking insight into Gustave Courbet and his bold experiments in landscape painting Between 1862 and 1866 Gustave Courbet embarked on a series of sensuous landscape paintings that would later inspire the likes of Monet, Pissarro, and Cezanne. This series has long been neglected in favor of Courbet's paintings of rural French life. Courbet's Landscapes: The Origins of Modern Painting explores these astonishing paintings, staking a claim for their importance to Courbet's work and later developments in French modernism. Ranging from the grottoes of Courbet's native Franche-Comte to the beaches of Normandy, Paul Galvez follows the artist on his travels as he uses a palette-knife to transform the Romantic landscape of voyage into a direct, visceral confrontation with the material world. The Courbet he discovers is not the celebrated history painter of provincial life, but a committed landscapist whose view of nature aligns him with contemporary developments in geology, history, linguistics, and literature.
Editeur(s)
Yale University Press
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Auteur principal : Paul Galvez

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