The Woman in White : Joanna Hiffernan and James Mcneill WhistlerlivresAnnée : 2020Auteur : Margaret F. MacDonaldEditeur : YALE UNIVERSITY PRESS IAL UNIVERSITI PRDescription : In 1860 James McNeill Whistler (1834-1903) and Joanna Hiffernan (1839-1886) met and began a significant professional and personal relationship. Hiffernan posed as a model for many of Whistler's works, including his controversial Symphony in White paintings, a trilogy that fascinated and challenged viewers with its complex associations with sex and morality, class and fashion, academic and realist art, Victorian popular fiction, aestheticism and spiritualism. This luxuriously illustrated volume provides the first comprehensive account of Hiffernan's partnership with Whistler throughout the 1860s and 1870s-a period when Whistler was forging a reputation as one of the most innovative and influential artists of his generation. A series of essays discusses how Hiffernan and Whistler overturned artistic conventions and sheds light on their interactions with contemporaries, including Gustave Courbet, for whom she also modeled. Packed with new insights into the creation, marketing, and cultural context of Whistler's iconic works, this study also traces their resonance for his fellow artists, including Dante Gabriel Rossetti, Edgar Degas, John Singer Sargent, and Gustav Klimt. The Invention of the Model : Artists and Models in Paris, 1830-1870livresAnnée : Auteur : Susan WallerEditeur : ROUTLEDGE ROUTLEDJDescription : Although mastery of the representation of the human figure was central to art making as early as the fifteenth century in Europe, in the nineteenth-century French imagination the artist's model became identified as a distinct social type and cultural trope. This study of the artist's model in Paris between 1830 and 1870 incorporates three histories: a social history of professional models, a cultural history of models as social types, and an art history of representations of the model in elite and popular visual culture. It takes as its starting point the artist-model transaction: demonstrating that stereotypes of 'the model' that figured in the public imagination were framed both by gender and ethnicity, the book develops a nuanced typology of different types of models. Interwoven with the analysis of the constructed identities of models are accounts of the lives of particular models and the histories of the urban population groups from which they emerged. The Invention of the Model: Artists and Models in Paris, 1830-1870 is an adept exploration of a major issue in nineteenth-century art which will be of interest not only to art historians, but also to social and French cultural historians. Un atelier à soi : exposition, Ornans, Musée Gustave Courbet, du 18 décembre 2021 au 28 mars 2022livresAnnée : 2021Auteur : Benjamin FoudralEditeur : LES EDITIONS DU SEKOYA LE EDISION SEKOIADescription : Dans un siècle où l'artiste acquiert une nouvelle place dans la société, l'atelier devient un lieu d'échange, de transmission ou encore une vitrine publicitaire. Gustave Courbet, en plus de son atelier parisien, situé rue Hautefeuille, se fait construire un « atelier dans la campagne » établi dans « [s]on pays » à Ornans. Lieu de sa maturité et à l'image de sa pratique artistique, l'atelier d'Ornans s'affirme comme un atelier moderne : un atelier à soi.